Categories
Women I've Shot

Birth: This is Talitha’s Story
The Birth of Noah, 21 January 2019

I got the call from Talitha at about 1:30am. I grabbed my gear and drove the hour to her house through the quiet dark highways.

The house was so quiet and dimly lit. I put down my things and slowly went upstairs to the loft bedroom where Peter, Talitha and their midwife Ayla were.

I quietly greeted and sat for a while to acclimatise and feel the space out. I tiptoed down stairs a little while later and brought up my tripod and camera and a spare memory card and battery and started, very occasionally, to take a few pictures to capture the scene.

Talitha was at quite an advanced stage of labour when I arrived and within an hour things had become increasingly intense for her. She moved around very little until at one point she kneeled, on a yoga mat, at the end of their plastic and sheet covered bed and she began to moan and push through active labour. Her husband Peter quietly but firmly held her in her space and Ayla stood back behind her, her hands in blue gloves, waiting calmly.

She began to push, she was surprisingly quiet, I almost didn’t realise it was that time. I moved around as fast and quietly as I could to the other side of the bed. A better vantage point. I caught the moment as all three caught Noah as he made his way out of the womb and into the world. Peter and Talitha gently pulled him up into their arms. A warm aura clung to them in those moments. The look on Talitha’s face was peaceful yet intense. I wondered how her body must feel after having a baby leave her moments ago.

They slowly got up, Talitha holding Noah and Peter holding Talitha and they made their way onto the bed where, relieved and thrilled, they stared at their baby and kissed each other.

Those moments were sublime but also became increasingly difficult as we all waited for the birth of her placenta which usually comes out within 30minutes of the birth of the baby. Eventually Ayla clamped the umbilical cord and handed Peter the scissors.

They touched his toes and his tummy and his face and between smiles Talitha cramped and cringed in pain with the contractions of the placenta, which, after more than 35min, had not yet come out. Ayla spoke about ambulances…she put a drip into Talitha’s arm and I took the baby so that Peter could stand on the bed with the drip held up and Talitha could focus on pushing. It was agonising to watch and at the same time a precious moment to hold in my arms such a brand new little human.

Thankfully her placenta eventually made its way out after injections and drips and pushing. I handed Noah back to his parents and peace slowly settled into the room. It was about 3:30am now and I made my way downstairs where I rested and waited for dawn, for the house to wake up.

Little Summer, their daughter, woke up, her hair sweetly dishevelled. Talitha’s mother and Summer made their way upstairs behind me. I wanted to capture this special meeting for them.

Early morning light flooded the loft and Summer tentatively met her little brother for the first time.

After capturing a few moments I said my goodbyes, packed away my gear and quietly left into a beautiful, fresh early morning.

Categories
Projects Women I've Shot Women Related Happenings

PROJECT
DARE Womens Foundation, Tanzania: Entrepreneurship

In June 2019 I had a half day opportunity, while on a cross-continental Africa trip, to make a visit to the DARE Womens Foundation based in Arusha, Tanzania. The Foundation was more than an hour drive each way which gave me only an hour to make a quick visit, speak with the ladies and make some portraits of the project they were involved with.

Below you can see some examples of the products the women here are making. The picture of my feet was just a humours observation though. The ladies offered me their shoes to move around more easily in so I could shoot outdoors without having to lace up my trainers each time.

DARE Women’s Foundation works to help women start small businesses by providing micro loans and encouraging creativity and innovation.

Some projects include making carpets and handbags out of littered produce bags, making shoes out of recycled tires and making jewellery out of beads, fabric, and local plants.

It is difficult for Tanzanian women to access the support they need to start their own small businesses, such as micro loans or advising. Earning an income for women means empowerment. When women contribute to their household’s income, they are often more respected by their male peers and research has shown that women are likely to spend their money on their children’s education. (Text from the DARE website) 

I had another look at their website and wanted to share their “About us” page…

The Dare Women’s Foundation is an NGO working to empower Tanzanian women and girls, with a focus on rural areas, through poverty alleviation, social justice, economic empowerment, and gender equality.

Many of the women we work with have endured tragedies such as rape, discrimination, domestic violence. Most all of them deal with lack of feminine hygiene care, little nutrition and conservation education, young marriage, and large family size due to lack of contraception and sex education.

​By bringing these women together, educating them about their rights, giving them a voice, and supporting them in their endeavors, the Dare Women’s Foundation is changing Tanzania one woman at a time. When you educate a girl, you educate a community.

The Dare Women’s Foundation is located in Tanzania and is currently working in the Tanga region (Mtae and Mambo villages) and Arusha region (Malala, Majengo, Moshono and Olasiti villages). It was in Arusha that I met the ladies who I photographed.

Above you can see the plastic “wool” this lady is crocheting with.

Below is one of the crotchet clutch bags the ladies make. This one is made from recycled plastic bags and beads.

At each meeting/workshop the ladies take turns to cook for each other.

Categories
Women I've Shot

Corporate Commission: Business profiles

This is Sandra

I shot a series of corporate head shots of Sandra for use on her business platform The Yacht Purser.

We decided to shoot on the jetties at the Royal Cape Yacht Club on the Foreshore in Cape Town. This is a short selection of images.

Categories
Interviews & Conversations Projects Women I've Shot

Women Who Create
This is Tiffany Marx

Women Who Create is an ongoing portraiture project all shot in B&W in my studio in Woodstock, Cape Town. I love to connect with other creatives and see what motivates them and find out what is behind there work.

I’ve known Tiffany for well over two decades and started jewellery design alongside her when we were at school. Tiffany went on to become a full time pro-jeweller. I’d describe her as a passionate, hardworking force to be reckoned with and a loyal and beautiful friend. Tiffany produces her unique handmade range of jewellery and bespoke, custom made orders from her airy, industrial studio in Salt River, Woodstock.

After graduating from the Cape Peninsula University of Technology she launched her own highly successful range of “Inspired Jewellery” at the 2007 Design Indaba.
Now, several years later she runs her own shop in The Watershed at the V&A Waterfront in Cape Town.Over the years Tiffany’s ranges have evolved yet also remained consistent in their integrity and her personal style which is bold, clean and contemporary. I’ve included many examples of her work and you can find more here on Instagram.
 


A Q&A with Tiffany Marx:

What is your all time favorite quote?
I have far too many to just choose one, here are some of my favourites:

“Where there is love, there is life” – Gandhi

“What keeps life fascinating is the constant creativity of the soul” – Deepak Chopra
“The future belongs to those who believe in the power of their dreams” – Eleanor Roosevelt
“The earth has music for those who listen” – Shakespeare
“Watch carefully, the magic that occurs when you give a person just enough comfort to be themselves” – Atticus
Do you have pet peeves?
People who litter and those who don’t respect another’s time.
Your worst trait?
I can be a terrible procrastinator!
What is/are your greatest extravagance/s?
The usually VERY rare weekday lie in with my kitties all snuggled up purring in bed with me (this has been a more frequent occurrence during lockdown and I am loving it) and my ever-growing Gin collection.
Your greatest fear?
Losing the use of my hands and eyes…
What defines your idea of happiness?

The fact that I wake up excited and get to do what I love every single day.

When and where are/where you happiest?
I have two. The first is in my studio – in the early morning or late afternoon evening when the light is at its most magical and I can sit and work and soak up the views of the mountain. The second would be in our beautiful home – snuggled up with Jack and my two amazing kitties.
What is your most treasured possession?
The amazing art pieces that I am lucky enough to have inherited from my late grandfather and Artist, Hannes Harrs
What does your (physical) creative space look like?
Amazing natural light, pops of yellow, green trailing plants, industrial glass windows with a panoramic view of Lions Head and Table Mountain, and the most beautiful polished, textured concrete and resin floors.
What do you get huge satisfaction out of doing apart from your primary creative outlet?
I adore cooking and find massive satisfaction in working with clay – any creative pursuits that I can get stuck into and really experience the process of.
When creating what is your biggest frustration?
Not having big enough chunks of time to just sit at the bench and lose myself in my work.
When you’re in your ultimate creative space what word would you use to describe the experience?
Transcendent
You can find Tiffanys Instagram feed here,- its gorgeous.