Categories
Found & Female Interviews & Conversations Projects

A Conversation with Martinette of Hannah Pad

I found out about Hannah Pads after writing up a short article on reusable sanitary towels that were being produced by a small NGO in Tanzania. I was browsing around other makers of similar products and came up with the Hannah Pad website and Instagram feed.

I made contact with Martinette who founded Hannah Pad five years ago and asked if we could do an interview for the blog about her knowledge around menstruation.

Below is a conversation with Martinette and in-between are photographs of her brilliant, reusable, non-toxic and organic products:

You spoke a lot about your own experiences and those of others with endometriosis, hormonal issues, PCOS and fertility. How do you think menstruation plays into these things?

Our menstruation is our monthly health report card, and sadly one that we do not get taught to pay attention to. It has recently been classified as the fifth vital sign for females, and that is how important it is. When we educate ourselves about what is deemed as normal, in terms of flow, colour, and associated symptoms ( i.e. pain, bloatedness, cravings,  mood swings etc.), we can find the reasons why we are experiencing these symptoms. When we know WHY, we can do something about it, rather than just either accepting it as our lot as women, or by treating the symptom. There are fabulous women to follow on blogs and social media, who bring such amazing information and research to the table. I will mention a few names that have meant a lot to me: Lara Briden ( The Period repair Manual); Lisa Hendrickson-Jack ( The Fifth Vital Sign); Anna Cabecca ( The Hormone Fix); Lucy Pearce ( Moon Time) and our local mom and Daughter duo… Hormonal Harmony teaching women to practice FAM ( Fertility Awareness Method).

Menstruation can be a lonely walk for women: monthly pain, mood changes and other physical symptoms. What are your thoughts on menstrual wellbeing? How can we make it better?

By creating an awareness of what is deemed as normal, we also flag something as a problem when it does occur. And by more and more women seeking for answers, more and more women will start telling their friends and family members. We do not have to accept pain and heavy bleeding as our lot in life. There are ways to cure the causes.

What, in your experience dealing with menstruation through your business, have you learned about women’s experiences with menstruation?

We are all so different. Some bleed very lightly, some very heavily, some only for 3 days, some for 7 days. For some bleeding is a relief every month, for others, it’s yet another month where they did not conceive. I share their pain, I know that pain… I was there. That is what inspires me to keep on going, as we need more and more people to know that there are solutions when we find the real cause.

The above image shows the discreet packaging that Hannah Pads has available for convenient storage.

I was super interested in what you said about retrograde bleeding, can you tell me more?

I was diagnosed with endometriosis in 2004. At that stage there was little information available online in terms of the causes of the condition, and apart from surgery, the treatment for it as well. One cause that has still not been proven was Retrograde Bleeding.

Retrograde menstruation:

In retrograde menstruation, menstrual blood containing endometrial cells flows back through the fallopian tubes and into the pelvic cavity instead of out of the body. These endometrial cells stick to the pelvic walls and surfaces of pelvic organs, where they grow and continue to thicken and bleed over the course of each menstrual cycle. This is what convinced me not to use the menstrual cup when sleeping at night, even though this has not been a proven fact yet.

You spoke about enabling women, enabling your own daughters. What would you pass on to others as a means of support. I love how through generations support can be passed down.

Yes, that is my passion, to share what I have learned, sometimes the hard way. My daughters ( ages 13, 9 and 7) are involved in my business Hannahpad. They help fold pads, I of course pay them. But as we fold, we talk about female matters. I have put together a moon kit for my oldest daughter, to bless her when her first cycle starts, and welcome her into womanhood. She has read the book by Lucy Pearce “Reaching for the Moon” written for teens to understand the changes in their bodies and moods, and to work with their flow.

Vaginal steaming is an ancient practice which enables women to clean out every month, to ensure that you are properly clean after your cycle, as there often is blood that remains entrapped, and can cause chronic female problems. So yes, I want to learn this practice, and teach it to my daughters, and whoever else would like to learn. This is also a treatment modality that is used with great success for painful  and heavy periods, even for PCOS and endometriosis, and you can do this in the privacy of your home every month. Another aspect that I want to teach my daughters is FAM… Fertility Awareness Method. This does not only teach you when you are fertile (so as a contraceptive method, or a method to conceive), but it teaches you about your body, about what  YOUR normal is.

More about vaginal steaming / Yoni steaming here.

What have you learned about the tie between synthetic and natural menstruation products?

When I was diagnosed in 2004 with endometriosis, I started doing research into the causes. One that I found was  retrograde bleeding, and the other was the chemicals in the commercial disposable sanitary products on our markets worldwide. These include chlorine ( bleach), plasticizing chemicals like BPA and BPS, Phthalates, crude oil plastics, fragrances, odour neutralisers etc, I go into great depth into this on my website, see here.

According to a draft report by the US Environmental Protection Agency (EPA), dioxin (Chlorine) is a serious public health threat that has no “safe” level of exposure!  The FDA’s official stance regarding trace amounts of dioxins is that there are no expected health risks associated with trace amounts of dioxins in tampons… Naturally Savvy notes that 10 years ago, House Representative Carolyn Maloney introduced legislation that would have required research into the potential health risks of any ingredient used in feminine hygiene products, including endometriosis, cervical, ovary and breast cancers. Unfortunately, the legislation did not pass, and it does not appear that any such research has been done.

You spoke about Toxic Shock Syndrome and how it is still actually affecting women. What have you heard?

Have you read the story of the model Lauren Wasser who lost both her legs due to TSS ( Toxic Shock Syndrome)? She now dedicates her life to educate and prevent this terrible disease. Read her story here.

According to Dr Mercola it’s important to remember that tampons can create a favourable environment for bacteria growth. Micro tears in the vaginal wall from tampons allow bacteria to enter and accumulate. One recognized risk from tampon use is Toxic Shock Syndrome (TSS), which may be caused by poisonous toxins from either Staphylococcus aureus (staph) or group A streptococcus (strep) bacteria. TSS can be a life-threatening condition, so it’s important to recognize the signs and symptoms. Should any of the following symptoms arise while using tampons during your period, make sure you seek medical help:

  • Sudden high fever
  • Low blood pressure
  • Muscle aches
  • Vomiting
  • Seizures
  • Diarrhea
  • Redness of your eyes, mouth and/or throat
  • Rash on palms or soles of feet

Categories
Projects Women I've Shot

Women Who Create
This is Michaela Younge

Women Who Create is an ongoing portraiture project all shot in B&W in my studio in Woodstock, Cape Town. I love to connect with other creatives and see what motivates them and find out what is behind there work.

I’ve followed Michaela’s work for a while as I find it intriguing, another world but also our own. I met her for the first time when I invited her into my studio to participate in Women Who Create.

She brought with her soft clouds of colourful, loose merino wool (which we used in her portrait), one of her complex, beautiful and completed pieces and a dangerous looking felting needle.

Michaela Younge is a South African artist born in Cape Town in 1993. After high school, Michaela attended the Michaelis School of Fine Art, where her father lectured in the Sculpture department. She graduated in 2015 receiving a Bachelor of Fine Arts with distinction. While at Michaelis, she primarily worked in the mediums of sculpture and print, however, after graduating she began working with wool, constructing felt tableaux depicting scenes of the everyday, the violent and the bizarre.

Her works are created by needle felting merino wool into textiles as well as found fabrics, such as old curtains and tapestries. The works are textural and are characterised by colourful, busy scenes that often play with perspective. Michaela is interested in the absurdity of everyday life, often finding humour in theatrical scenes of violence or through a comedy of errors. These scenes invite a closer look at human relationships and interactions – sometimes skewering the subjects in the process.

Below is a Proust-like interview with Michaela:

Why do you create?

Art-making is generally exciting, and expressive, and making money from something like that is rewarding, so I guess I create because I get pleasure from it.

What is/are your greatest extravagance/s?

“Decorasie” type objects, second-hand toys, ceramics, clothes.

Your greatest fear?

Alien abduction, going under anaesthetic but it doesn’t work and you’re just paralysed.

What defines your idea of happiness?

Watching BBC with my mom next to the heater is pretty good.

What do you think is overrated?

Pasta; everybody seems to love it, but let’s be honest it’s just long pieces of cooked flour and egg! I’m not saying it’s terrible, cause it can be good, I just think its overrated.

On what occasion do you lie?

If there was no benefit in telling the truth, and the truth was really a massive sack of awful.

Which words or phrases do you most overuse?

Using expletives, such as “fucking”, “bloody” and the word “wow”.

When and where are/where you happiest?

Having a drink on Bakoven Beach in the late afternoon on a hot summer’s day.

What is your most treasured possession?

My grandmother’s ring, gifted to me by my mother.

What is your most marked characteristic?

Apparently I give very good hugs, but that’s not useful in the time of Corona! A friend said that I get excited by things or going places some people wouldn’t, and I always have a story from it.

What do you do to help put you into your optimal creative space?

If the weather is bad, I have to have a hot water bottle as I find being cold very distracting, and a hot water bottle has the placebo effect of making my concentration better.

What does your (physical) creative space look like?

I work off a big desk, with a large lamp and I always have to have a pencil and some paper, especially if I’m talking on the phone as I get pre-emptively nervous that I may have to take notes at any point. Then there are two large boxes of colourful merino wool on the floor, and a lint roller.

What do you get huge satisfaction out of doing apart from your primary creative outlet?

I’ve been using pencil crayons and khoki pens and doing more drawings, and I’ve been experimenting with resin which is a hot mess but I love it.

When creating what is your biggest frustration?

Balancing admin, chores and creative work. I have to set aside time for emails as they give me a lot of stress!

When you’re in your ultimate creative space what word would you use to describe the experience?

“Quiet” or “quick”.

You can find Michaela’s Instagram profile here.

Categories
Projects Women I've Shot

Women Who Create
This is Olivié Keck

Women Who Create is an ongoing portraiture project all shot in B&W in my studio in Woodstock, Cape Town. I love to connect with other creatives, see what motivates them and find out what is behind their work.

I met Olivié in about 2015 in ceramics class at Frank Joubert art school in Cape Town. She was busy, at that time, working on the giant piece below: “Script Kitty”. It probably stands about 65 cm high. I nervously helped her carry the kitty into the kiln for its very last firing in 2016. It’s beautiful.

Olivié is a drawer, an illustrator and a ceramicist. She also does prints and creative collaborations. I love that she describes herself as a ‘mass romantic’.

From Olivié:

“I relish loud colours, juxtaposing ideas, jumbled associations and subverting expectations. There’s a ‘pleasure spiked with pain’ feeling about the work I make. This is a sensation I feel captures my experience of the world. Humans are never fully in one attitude; and I’d like to think my work echoes both the severity and the humor in this sentiment.”

Olivié Keck (b.1989) lives and works in Cape Town, South Africa. She received her BFA from The Michaelis School of Fine Art in 2011.

 “Keck’s work is a contemporary homage to the ‘commonplace’ narratives that her subjects portray. She relishes loud colours, graphic forms, juxtaposing ideas, parody and subverting expectations. The aesthetics of her work commemorates the theatre of human experience, whilst echoing her fascination with popular culture, intimacy and contemporary story-telling.”

Below is a Proust-like interview with Olivié:

Why do you create?

I create because I see in pictures what I can’t explain in words.

What is your motto? 

‘Sometimes you gotta risk it for a biscuit’ 

What is your most treasured possession?

I treasure all the things in my home that have been handmade or given to me by friends and loved ones. All the memories imbued in objects that surround me with the sensation of being connected to people. They are my little flagships of joy spotted all over my home.

My art collection is especially close to my heart. Some of the artworks that adorn my walls include pieces by Jean De Wet, Mia Chaplin, Danielle Clough, Andrew Sutherland and Cecil Skotnes. All of which I consider amazing artists and special humans.

My postcard collection. I love a gift shop keepsake and I have always loved keeping postcards from places I’ve visited, art museums with artworks I love or weird little nooks in the world I’ve discovered. I have a huge wall of postcards I’ve collected or have been sent by friends on their travels. It’s a bit of a cliché I guess, but it’s my personal 2D museum.

A quilt made by my mother, which is very special to me and has all the nurturing and wholesome characteristics I associate with her.

When you’re in your ultimate creative space what word would you use to describe the experience?

Compulsive.

What is your most marked characteristic?

I’m a bit of a hoarder especially when it comes to art materials. I think it’s a compulsion that is both my best and my worst trait.

Sometimes I’m happy that I hold on to things and try to find a use for them or try to use every last bit, but it means I always have bits and pieces of stuff everywhere which can get overwhelming. I also hate wasting stuff, so I think that’s why I keep every last drop, which makes me every bit as frustrating to live with as you are imagining.

What do you get huge satisfaction out of doing apart from your primary creative outlet?

Weirdly I find cleaning quite therapeutic. I know most people hate it, but I find it to be an act of renewal. Like getting to start over – a reset button. There is something deeply cathartic in getting out the vacuum and sucking up all the dusky residue of yesterday’s ‘you’.  Sometimes if I’m feeling stuck on a creative problem I’ll get out a cloth, wipe down a surface or a floor just to unlock that dopamine of accomplishment.

I really enjoy gardening and planting vegetables. Nature is an inspiration and because I grew up in a farm-like setting, working in the garden always takes me back to being a kid planting things with my mother.

Puzzle making is another satisfying activity that feels trivial but fills me with moment-to moment thrills. It is a great activity to do alone or with a friend. During the quarantine of Covid-19 it has really taken a hold of me. I can spend hours and hours on it. Looking through this list it seems like I’m getting ready for retirement, just need to get into bingo and I’m made!

Do you have pet peeves?

My industry pet peeve, if I’m being REALLY candid, maybe too candid, I find it frustrating how some people, not all, but some, automatically expect discounts when purchasing artwork. It’s a major bug bear for me.

I know it’s not just me, it happens frequently to artists all over. It seems to be an accepted industry standard in the art arena. Like there’s some golden rule stating that artists’ always overvalue their work by at least 10% and therefore one should never pay the asking price. Purchasing an artwork with a conditional discount is like giving someone a compliment and an insult at the same time.

It’s different if it’s a frequent buyer, someone that has supported your career time and again, if the person has earnt that privilege, but when a fresh kid on the block wants to haggle – that’s straight up shameless.

Personally, I think it undermines any artist’s self-worth and the role of the artist as a legitimate profession in society. It’s a trope that rewards misers and I wish people wouldn’t do it. There I said it out loud. If you didn’t know, now you know.

What is/are your greatest extravagance/s?

Hands-down this title goes to my two Italian greyhounds, Wendy Horsecraft and Avon Barksdale. They are ridiculous creatures, I’m not even sure they are dogs…sometimes I think they might be proof aliens exist. But damn I love them and lavish them unashamedly.

Your greatest fear?

Being homeless and destitute. I have a distinct memory of this fear manifesting as a young kid when my dad past away. I felt for the first time that I could lose someone or some huge facet of my life overnight. I remember this feeling being really intense for years, I would have nightmares about it all the time. Horrible situations of destitution. I have this sensation less as an adult but every now and then I still have waves of this deep-seated anxiety come up for me in conscious and subconscious states.

What do you think is overrated?

Celebrity Culture. Our society is so obsessed with celebrities or becoming a celebrity. A country like America is probably the best example of how this phenomenon, this obsession, has wreaked their society and warped their value system.

Which words or phrases do you most overuse?

I say the word ‘crazy’ and ‘wild’ a lot as emphatic words. I annoy myself with it, because it feels like I don’t use enough adjectives in my speech. It’s my fall-back exclamation phrase, but it’s become such a habit. It’s my verbal crutch.

What does your (physical) creative space look like?

My studio has a bit of a split personality. I have different areas for different moods. I have a desk on both sides of the room and a large window that looks out over the mountain and the lagoon  next to my house. I feel very lucky to have such a tranquil and light space to work in.

The walls of my studio are filled with sketches and scribbled ideas or spark notes on paper and inspirational references. I have some of my work that I’ve kept up on walls to keep me company. There are pockets of colour and pattern everywhere and a picture rail that I curate with work I am busy making or have made.

My dogs are always in my studio while I work. They love lying on my couch in the sun that comes in through the windows and in winter the heater keeps us all warm.

What defines your idea of happiness?

I think I am living my idea of happiness right now. I work hard, but I am free to make the things I want to and keep my own hours. I’ve arrived at a really special time in my life where I have the support of an amazingly talented network of friends and loved ones that help me navigate my creative and emotional challenges. I feel at peace with my process and the kind of artist I think I am. I feel lucky every day I get to be an artist. I think it’s important not to see happiness as a place you’ll arrive at one day, happiness is more what you make of it and I try to enjoy the moment to moment as much as possible.

Keck’s solo exhibitions included; ‘False Priest’ (2014) at Commune1, ‘Selfie Fulfilling Prophecy’ (2016) at David Krut Projects, ‘The Lure’ (2018) at Chandler House ,‘Drop Dead Gorgeous’ (2019) at CIRCA/Everard Read and ‘In Bloom’(2020) with 131A Gallery. Keck has attended two international art residences; The Kala Art Institute (2016 Berkeley/USA) and The Frans Masereel Centrum (2017 Antwerp/Belgium). She has exhibited internationally with No Man’s Art Gallery in Tehran and The Kala Art Institute in Berkeley/USA. Her work has been featured numerous times at art fairs such as CTAF, JAF and Turbine Art Fair.

Find her Instagram profile here.