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Photographing Friends: Day #9 of my Self Portraiture Project

During my Self Portrait Project I invited 20 friends into my studio to be documented with the same lighting set-up that I was using on the day. Here are a selection of some of my favourite female “posers” from the one and a half hour shoot…

This is Tiffany Marx. Tiffany is an independent jewellery designer who after studying at the Cape Peninsular University of Technology branched out on her own and has been creating strong and beautiful work ever since. I chatted to her a few days before this shoot evening and suggested she bring a selection of her tools along with her to create a kind of environmental portrait which would imply her trade.
She dirtied her hands and held her tools, standing with a strong stance, and looked directly into camera. I wanted to bring across her strength and femininity.

Tiffany Marx - Jeweller   photographed in studio during the self portrait project by LeahHawker
Tiffany Marx – Jeweller photographed in studio during the self portrait project by Leah Hawker

This is William Kentridge. Yes, William. She is an artist who has just moved to Woodstock in Cape Town and who I met for 5 minutes before she undressed for her portrait. To give some background, here is what the Mail and Gaurdian had to say about her:

After years of obscurity, William Kentridge has had her big break.

That’s right—“her”. The 24-year-old female artist from Johannesburg legally changed her name from Roelien Brink to William Kentridge in 2008. And she opened her solo exhibition, America Made in China, at the Johannesburg Art Gallery last Sunday.

Kentridge née Brink’s motive for the change was quite simple—fame. “I wanted to find a way to become as famous as [William Kentridge],” she said. “His work — is far more recognisable than mine and more accessible to the public. This makes it harder for the public to view and appreciate my art; thus, it would take me longer to become famous and recognised.

“I chose his name not as a personal attack or comment on his work, but because of his status and popularity in South Africa.”

She encountered little resistance from home affairs officials, who barely noticed that she was taking on a male name.

Artthrobs’ Michael Smith did a very interesting interview about her here. When I mailed her image from the shoot to her I asked her why she had chosen to strip down for her portrait (considering that there was a rather large gathering of people in my studio and I had only met her minutes before). She said:

I went naked because you photographed for playboy! There is no way I will wear clothing if a playboy photographer takes my portrait.

I put up a few more poly-boards for privacy -that of the rest of the gathering of guests actually- and she stripped down, trousers around her ankles and shoes still on. I love the image, I like the calm serenity and simplicity of her form in the picture space, also the colours coming from her lips, earrings, tattoo, nipples and yellow finger nails.
Another thing which was very intersecting to me was that I usually have a chance to interpret the woman I’m going to photograph and in this case I had to work with her character and body very spontaneously.

William Kentridge - Artist  photographed in studio during the self portrait project by Leah Hawker
William Kentridge – Artist photographed in studio during the self portrait project by Leah Hawker

This is Ivonne Meyer. Ivonne is my brilliant dentist, she is also my friend and arrived at the studio with a selection of her dental apparatus on my request. We (myself and by then a group of other women who had gathered, drinks in hand) all agreed on the “sexy dentist” look with black leather jacket and implements. While there were many fun and laughing images from her portrait “sitting” I really like the tone of this image.

Ivonne Meyer - Dentist  photographed in studio during the self portrait project by Leah Hawker
Ivonne Meyer – Dentist photographed in studio during the self portrait project by Leah Hawker
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Self Portrait Project: #8

This is a pretty portrait. It’s me, in my all-time favourite dress. The balloons were in the studio for another shoot on that day and I grabbed them since they matched the vibe of the idea I had.

The image is girlie and sweet and cheesy (and I suppose those are some of the reasons this dress makes me so happy), I wanted the variety in the self portraits to show different facets of both my own character and those related to femininity.

Self Portrait Project 008 Leah Hawker 2014

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Self Portrait Project: #7

I had researched Shibari (the oriental art of rope tying) when I was writing my graduate dissertation and I produced an image using it during that time. I was also commissioned a while back by a Cape Town architect to shoot a group of girls tied up for his annual New Years card to his clients (but more on that later).  I’ve therefore got a heck of a lot of this really pretty textured white rope in my collection of “stuff”.

It is a beautiful and rather intersting prop to work with in images because of the contrast in tone to skin, its implications of control and restriction and the aesthetic value added by whatever form one choose to create with it within the picture space.

The idea to shoot this self portrait came from no where in particular that I can pin point. I had wanted to shoot an image with very classical B&W dramatic lighting which is one of the things I achieved with this image. I love the shapes, lines and tensions of this image and creating it was an experience in itself…

So on Tuesday I asked friends Barbara and Cara to help make me into a kind of rope sausage. I have tied ropes for several images in the past as mentioned above, the techniques, after doing a bit of research, were pretty logical (to me), and the logistics of working with such a medium and a model also equally need to be prepared for.

With wine, gossip to catch up on and possibly not the right amount of explanation of my idea we began. It was a lesson in patience and friend-appreciation as my hands slowly went totally numb while they drank wine and chatted distractedly while a tried to be bossy unsuccessfully from the inside of my constrains.

Still, it was a great and funny shoot with a strong outcome. One would never imagine the kinds of things that go on behind-the-scenes of image making and what is put into creating such a simple image.

Self Portrait Project 007 Leah Hawker 2014

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Self Portrait Project: #6

Self portrait #6 is dark, moody and well, a portrait of me crying. I intended to have my hands covering my face with a huge black space above my head. I lit it with one snoot diffused with a piece of architects trace. The light lit my irises so beautifully that I ended up choosing an image with eye contact to the camera. The mascara was a spontaneously added just before we shot, and although it is overly dramatic I like the contrast it adds to my eyes and how it contributes to the dark moodiness of the space behind me.

Self Portrait Project 006 Leah Hawker 2014