Categories
Projects

Self Portrait Project: #7

I had researched Shibari (the oriental art of rope tying) when I was writing my graduate dissertation and I produced an image using it during that time. I was also commissioned a while back by a Cape Town architect to shoot a group of girls tied up for his annual New Years card to his clients (but more on that later).  I’ve therefore got a heck of a lot of this really pretty textured white rope in my collection of “stuff”.

It is a beautiful and rather intersting prop to work with in images because of the contrast in tone to skin, its implications of control and restriction and the aesthetic value added by whatever form one choose to create with it within the picture space.

The idea to shoot this self portrait came from no where in particular that I can pin point. I had wanted to shoot an image with very classical B&W dramatic lighting which is one of the things I achieved with this image. I love the shapes, lines and tensions of this image and creating it was an experience in itself…

So on Tuesday I asked friends Barbara and Cara to help make me into a kind of rope sausage. I have tied ropes for several images in the past as mentioned above, the techniques, after doing a bit of research, were pretty logical (to me), and the logistics of working with such a medium and a model also equally need to be prepared for.

With wine, gossip to catch up on and possibly not the right amount of explanation of my idea we began. It was a lesson in patience and friend-appreciation as my hands slowly went totally numb while they drank wine and chatted distractedly while a tried to be bossy unsuccessfully from the inside of my constrains.

Still, it was a great and funny shoot with a strong outcome. One would never imagine the kinds of things that go on behind-the-scenes of image making and what is put into creating such a simple image.

Self Portrait Project 007 Leah Hawker 2014

Categories
Women I've Shot

Pregnancy: This is Katja

Katja was on holiday in Cape Town when I met her in 2012, she was 6.5 months pregnant with Tim. Our idea was to take some natural light portraits of her and her partner and a few images of her alone.

We shot at the reservoir near Rhodes Memorial. I had planned to have her in the water but there were two eco-officers lying on the far side wagging their fingers at me when we started to wade in to the water so instead I worked with her at the waters edge.

It improves a shoot when your subject is comfortable or at least feels she can say when she isn’t. I asked Katja if she was alright posing totally nude for a few shots at this location, knowing the two officers were likely watching from the far side in-between napping. She agreed, and this image below is by far my favourite from the day. It is feminine, magical and has a soft, dreamy vulnerability about it which reflects Katja’s shy beauty.

I used a light colour filter on the background of the image in post production to enhance it a bit bit otherwise the image remains natural.

Katja by Leah Hawker

Categories
Projects Women I've Shot

The Origin Nudes 2004

This small series of B&W photographs were probably the first nudes I ever shot.

It was a project assignment which one could choose to handle the nude in one of a selection of different genres (political, erotic, medical, abstract, documentary etc). Below are some of my darkroom test strips from the time as well as sketches/plans for my studio shoot (also a first at that time).

A double page spread from one of my first visual diaries, back in 2004. A culmination of planning, project briefs, test strips and doodling of the best kind.
A double page spread from one of my first visual diaries, back in 2004. A culmination of planning, project briefs, test strips and doodling of the best kind.

My approach was very simplistic: the body + erotisised or fetishises objects/articles of clothing etc. I used honey, stockings, classic black lace lingerie, wire, oil, a series of butterflies I had photographed and cut out.

Visual Diary detail

Darkroom contact sheet

The images were exhibited in the Cape Town Month of Photography 2005.

“Working here with feminine paraphernalia, motifs of desire and gender binaries, the photographer weaves them into her photographic process to produce aesthetically alluring depictions of undercurrent themes such as constraint and seduction.

This series of black and white nudes was based on using simple carnal devices and incorporating the power of body language to answer the brief requirements of a series of images relating to the nude canon for exhibition at the Cape Town Month of Photography”

Nudes-2004-by-Leah-Hawker-1

Nudes-2004-by-Leah-Hawker

Nudes-2004-by-Leah-Hawker-2

Detail from one of the darkroom contact prints from the series.
Detail from one of the darkroom contact prints from the series.

 

Categories
Interviews & Conversations On other Photographers

“WOMAN” An Article by Amelia Burger

This is an article written by Amelia Burger for One Small Seed Magazine, Issue 08, 2007, pages 46 through 53.

From One Small Seed Magazine Article

Woman

SA Photographers Leah Hawker and Michelle Prinsloo are constructing  a fuller, more multi-faceted understanding of female sexuality through their personal and provocative interpretations of the female form. Amelia Burger tries to bear it all.

While both these female photographers have their own philosophy which influences their approach to their work, it all comes down to expressing all of who you are. Their work rings true for women universally, but this is certainly the work of two young South Africans breaking through the visual barriers of female photography in ths country.

Leah interprets being a woman in South Africa objectively and almost as if from a distance, addresses the communal generalisation of the female archetype. There is a “very strong compartmentalisation of our supposed gender responsibilities, be it African, Afrikaans, English or Muslim communities, we’re all so aware of what is expected of use. Women in South Africa are becoming a bit more open-minded and educated about our sexuality and gender, and I’m trying to facilitate this in some ways in my work.”

Michelle goes even further in dealing with some aspects of female stereotype liberation and is more intense, raw and personal in her approach. “I feel we have a stength within us, but we still have a lot to prove in society within these conservative constraints. We need to be ourselves and allow ourselves to be heard clearly and express ourselves as individuals…I want to provoke my viewers, I want them to have their own individual perception of the image”

This image by the talented Michelle featured in the article.
“When you reject me”- image by the talented Michelle featured in the article.

Artist and photographer, Leah Hawker incorporates concepts of beauty, seduction, gender stereotyping and restriction while working primarily with the female nude. She aims to get women thinking and questioning their own archaic, set ideas about their sexual identity. “I think that some ideas are so ingrained in our social and cultural genes that we don’t question whether they should even apply to us reasonably anymore.”

“The patriarchal base from which much of our thinking and actions are situated doesn’t suit both genders , so women are begining to develop more feminine approached and so balance society.” As seen in these pictures, her work is sensual but never crosses the line into explicit. It’s feminine, beautiful and celebratory.

Shooting provocative images is a starnge thing really,” she says “because in one way or another, the model agrees to play out and pose for an idea or concept which is initiated by the thinking and fantasy on the part of the photographer. I always find this fact somewhat disturbing. Maybe thats why I deal with the subject matter so conceptually and detachedly.”

Tear sheets taken from One Small Seed Magazine published in 2007
Tear sheets taken from One Small Seed Magazine published in 2007