The Carnival Girls was a small project I shot in 2008. I worked on location at a local company in Observatory that manufactures (I think) and rents out these kiddies party rides. They are kitsch and bizarre and totally appealed to me for the theme of this shoot.
I wanted to create images with an ominous element and shooting inside the Kiddies Rides warehouse & workshop was ideal for this. My model, a close friend who I talked into posing for me, was perfect (thank you) and I even sterilised the rides before she sat bare bum on them- good shoot preparation and logistics!
Pages from my visual diary of the time- images show shoot preparation and research, image editing and body language sketches.
The project was shot on medium format colour film using my twin lens Mamiya C3 and lit with one soft box. I used a collection of props which were nostalgic to me of youth, and school girls at carnivals: handmade flowered masks made with fabric daisies and orchids, satin bows, knee high striped or checkered socks, powdered, teased hair, round pink cheeks and lips (all reminiscent of children’s dolls).
Pages from my visual diary of the time- images show shoot preparation and research, image editing and body language sketches.Pages from my visual diary of the time- images show shoot preparation and research, image editing and body language sketches.Pages from my visual diary of the time- images show shoot preparation and research, image editing and body language sketches.
The negatives were scanned and the final three images were giclee printed at 55x55cm in a limited edition of three of each. They were exhibited and sold on exhibition at Exposure Gallery to a German buyer and I’ve not printed the following editions yet.
There are elements about this portrait which are masculine, also, to me, this is the “photographic professional” look I kind of have in my head. It was the evening, appropriately, where I invited 20 friends to join me in the project. The friends could bring whatever they wanted to use in their own portrait (which I would shoot in the same lighting set-up I planned to use on the day) and drinks.
I made the shoot area partially private from the social space where people gathered waiting and chatting.
After the one and a half hours I spent shooting my guests (some images to come in a later post), I dressed and had many of them stand behind my camera and shoot me.
I like the quietness and composure of the image, it’s very simple.
During my Self Portrait Project I invited 20 friends into my studio to be documented with the same lighting set-up that I was using on the day. Here are a selection of some of my favourite female “posers” from the one and a half hour shoot…
This is Tiffany Marx. Tiffany is an independent jewellery designer who after studying at the Cape Peninsular University of Technology branched out on her own and has been creating strong and beautiful work ever since. I chatted to her a few days before this shoot evening and suggested she bring a selection of her tools along with her to create a kind of environmental portrait which would imply her trade.
She dirtied her hands and held her tools, standing with a strong stance, and looked directly into camera. I wanted to bring across her strength and femininity.
Tiffany Marx – Jeweller photographed in studio during the self portrait project by Leah Hawker
This is William Kentridge. Yes, William. She is an artist who has just moved to Woodstock in Cape Town and who I met for 5 minutes before she undressed for her portrait. To give some background, here is what the Mail and Gaurdian had to say about her:
After years of obscurity, William Kentridge has had her big break.
That’s right—“her”. The 24-year-old female artist from Johannesburg legally changed her name from Roelien Brink to William Kentridge in 2008. And she opened her solo exhibition, America Made in China, at the Johannesburg Art Gallery last Sunday.
Kentridge née Brink’s motive for the change was quite simple—fame. “I wanted to find a way to become as famous as [William Kentridge],” she said. “His work — is far more recognisable than mine and more accessible to the public. This makes it harder for the public to view and appreciate my art; thus, it would take me longer to become famous and recognised.
“I chose his name not as a personal attack or comment on his work, but because of his status and popularity in South Africa.”
She encountered little resistance from home affairs officials, who barely noticed that she was taking on a male name.
Artthrobs’ Michael Smith did a very interesting interview about her here. When I mailed her image from the shoot to her I asked her why she had chosen to strip down for her portrait (considering that there was a rather large gathering of people in my studio and I had only met her minutes before). She said:
I went naked because you photographed for playboy! There is no way I will wear clothing if a playboy photographer takes my portrait.
I put up a few more poly-boards for privacy -that of the rest of the gathering of guests actually- and she stripped down, trousers around her ankles and shoes still on. I love the image, I like the calm serenity and simplicity of her form in the picture space, also the colours coming from her lips, earrings, tattoo, nipples and yellow finger nails.
Another thing which was very intersecting to me was that I usually have a chance to interpret the woman I’m going to photograph and in this case I had to work with her character and body very spontaneously.
William Kentridge – Artist photographed in studio during the self portrait project by Leah Hawker
This is Ivonne Meyer. Ivonne is my brilliant dentist, she is also my friend and arrived at the studio with a selection of her dental apparatus on my request. We (myself and by then a group of other women who had gathered, drinks in hand) all agreed on the “sexy dentist” look with black leather jacket and implements. While there were many fun and laughing images from her portrait “sitting” I really like the tone of this image.
Ivonne Meyer – Dentist photographed in studio during the self portrait project by Leah Hawker
This is a pretty portrait. It’s me, in my all-time favourite dress. The balloons were in the studio for another shoot on that day and I grabbed them since they matched the vibe of the idea I had.
The image is girlie and sweet and cheesy (and I suppose those are some of the reasons this dress makes me so happy), I wanted the variety in the self portraits to show different facets of both my own character and those related to femininity.
