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Playmate Pictorial: “Miss September”
for Playboy Magazine, South Africa

I met, shot and worked with Jade in mid Winter of 2011 for her September edition of Playboy South Africa. Jade is a beautiful, feisty, confident model and now friend who I totally loved working with on both her Miss September shoot and her Playmate of The Year shoot the following year.

Above is the opening double page spread for her print editorial.

Jades shoot was my first one for the brand and it was super exciting working for them, shooting inside the Cape Town Stadium and working with a huge cast of extras who played the “fans” in the background of the first series of images for the shoot.

Above are some behind the scenes shots of Jade and Colleen getting hair and makeup ready.

Above shots (not mine) are of the Cape Town Stadium which was relatively new during the time we shot there in 2011.

Some questions and answers with Jade…

Why did you decide to pose for this brand? 

Playboy is a prestigious brand known worldwide and is still one of the very few popular brands for which people are daring enough to tattoo the logo (the bunny head) onto their bodies!

When I heard that Playboy was returning to South Africa and was scouting for local ladies to cast I couldn’t resist by trying my luck to see if I would fit their ‘girl next door’ look.

Some screen grabs above and below from Jades Miss September behind-the-scenes video. You can find it here.
We had a cast of about 12-15 extras playing the “fans” at the stadium. We shot on the field and in the changing rooms which is where Jades centrefold comes from.

What were your expectations of your role as a playmate and the brands use of the content? 

From the outset, the roles of a Playmate and the brand’s expectations were clear- and which I was eager to fulfil. Any expectations I had of becoming a Playmate were far superseded from first publication and continued to be exceeded throughout my experience. I could never in my wildest dreams have imagined how my life would have changed and everything that was to come!

What was the shoot experience like? 

I’ve always loved being in the makeup chair so photo shoot preparations are great!

My first shoot for Playboy South Africa was this, my Miss September 2011 shoot, which was the first photo shoot to ever be done at the Cape Town Stadium in July 2011. It was cold, as it was still winter, and the theme – centred around the upcoming Rugby World Cup – included over a dozen male extras in the stands as spectators.

My second shoot for Playboy South Africa was the cover shoot of the March 2012 issue where I was being announced as Playboy South Africa’s very first Playmate of the Year for 2012. The photo shoot team included all the same terrific people I worked with on my first shoot so we already had a firm friendship to work from. We jet set off to Zambia where we shot at the seven-star Royal Chundu Lodge and on the Zambezi river for two days.

The only way to describe my experiences of these shoots is that each has been one of the most memorable experiences of my life.

How did you feel about being nude during the shoot?

Both of my shoots were on location and while the second didn’t include any extras – there were public bystanders. Fortunately, for me, I’m not self-conscious or shy so I don’t have any issues with public nudity and feel comfortable being that way. I actually enjoyed the experience and felt exhilarated throughout the shoots.

What was it like working with me as your photographer?

Having worked with several photographers in my time modelling I can say with confidence that you, Leah, are in a league of your own. I have met only but a handful of people who possess such an eye for the photography of women. I have never seen myself more beautiful than when you have been the one taking the pictures.

Do you feel in any way that the images exposed you more than you thought they would?

No, from the pre-shoot discussions based on the storyboard I had a clear understanding of what would be shot and the end result of the images. However, there are hundreds of images from a shoot and more than a dozen put forward for final publication selection, I would have hoped to have seen the images during the selection process and even given input but this was something done solely by the editorial team.

After the years have passed since the shoot have your feelings changed about the images of yourself or of having made the choice to pose nude for Playboy?

Not at all, I am still very proud of my images and being affiliated with the Playboy brand. I think not only did it create great exposure for me but I also contributed tremendously to the growth of the brand in South Africa.

What kind of feedback did you get in response to the images published?

The public response was overwhelming as I hadn’t expected it to be as great as it was. People locally and abroad reached out to me and supported me. It was ultimately their support which grew my own brand and leads to my further success.

Professionally, it was my Playmate of the Year title and shoot which got me noticed internationally, with me being awarded Playboy Playmate titles in Hungary – Miss November 2012 – and in Croatia – Miss December 2012. Eight other international editions of the Playboy magazine also featured my shoot as feature pictorials, this includes; Argentina, Brazil, Croatia, Greece, Netherlands, Portugal, Slovenia and the USA.

I’m proud to say, I’m the most featured local south African Playboy playmate internationally.

What direction has your life taken since your shoot/publication with Playboy?

Transitioning from commercial modelling to fitness has been a profound experience which has had its own successes, with 15 body building competitions under my belt and two first place titles on the shelf, it is the other placings which have taught me the most.
I continue to pursue my passions which, with dedication, will surely become achievements.

 

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Interviews & Conversations Women I've Shot

“The Housewives”, Private Commissions:
This is Lairen

(Note: “The Housewives” was a term I fondly coined in 2006 after I started getting shoot requests from private, individual women who became my clients. Many of the women who contacted me were married and in their mid 30’s and were doing the shoots as gifts to their husbands. The folder in my archives is still called this and so I’ve stuck to it, in part just for the irony: most of these women are not “housewives” at all, but strong independent and forward thinking women who I have had the honour of documenting.

All are private commissions and the demographic has changed substantially over the years. Some I’m still in contact with, others I’ve totally lost contact with, some have become friends, some may wish not to have their real names used, others don’t mind, some may have their faces obscured for privacy reasons, others have generously shared their experiences of being photographed.)

I photographer WBFF pro figure model Lairen Terblanche for the second time in 2016. She has a body that takes so much work and dedication to maintain and photographically its interesting and quite amazing to work with. Sculptural in ways.

I asked Lairen a few questions about the experience below:

What motivated you to do this shoot? Its different to our last shoot in that this seemed to be more about you as apposed to our first shoot together which felt like it was much more about body building. What were your feelings about doing this shoot, what motivated you?

I have always wanted to pose for playboy and you know I still do.

Having a different body I know I am not the Playboy look but was great to be able to work with someone like you Leah… amazing, my second time to do so. I mean THE photographer of Playboy….Playboy experience and has a certain way of taking her photos.

Classy sexy…

I also wouldn’t be scared or feel uncomfortable taking my clothes off or doing a certain pose that would only be something my husband would see. . . .

And what was the experience of the shoot itself like for you?

The experience was thrilling… I felt so comfortable… and I just … I don’t know it was so empowering… also when we got to full nudes… having my husband watching me… well …. I felt proud. Very proud. I want to do it again and I know Etienne wants me to do it again lol ! A memory just came up yesterday haha!

It was a rush… being able to pose the way I want in what I want and just celebrating a body I worked very very hard for. Granted. I am much more relaxed now and I am working on a smaller, softer frame… probably more your play boy look to be honest :) I guess I have just come to the realization that I have competed…. and I wont compete again so now carrying around muscle mass that I dont need for stage is just silly.

From the end of Lairen interview she add…. So sweet!

Leah you are amazing. I LOVE working with you. They say you know you have found a great photographer who can capture great images of you that don’t require a lot of editing at all. As much as I also know the responsibility lies with me to look the way I need to for whatever it is I do.

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Interviews & Conversations Projects Women I've Shot

Women Who Create
This is Barbara Wildenboer

Women Who Create is an ongoing portraiture project all shot in B&W in my studio in Woodstock, Cape Town. I love to connect with other creatives and see what motivates them and find out what is behind their work.

Barbara Wildenboer’s work mostly consists of collage, photo- and paper-construction and digitally animated photographic sculpture. She uses a combination of analogue and digital processes to create work which explores phenomena such as temporality, fractal geometry and the interconnectedness of all living things.

Wildenboer exposes the connections between a myriad of life forms – from the microscopic to the immense. Her main focus is on environmental aesthetics. She sees this as something that not only encompasses natural territories, but as also extending to human interaction with the natural realm.

There is a playful aspect of creating references within other references in the paper sculptures and collages. Using media images and information selected from various sources, Wildenboer constructs an alternate reality.

The three dimensional paper works reflect on how humankind is affected by globalisation, economic upheavals, scarcity, political corruption, wars, epidemics and natural disasters.

The collages are a musing on modern human life and the fragility of the symbiotic relationship between man and the ecology. A nebulous relationship that is jeopardised by consumerism, wastefulness and a sense of disconnection with the natural world.

Why do you create?
I find artmaking to be a very effective medicine to counteract a particular poison. It offers me an efficient way to connect with myself and stay sane.
Favourite quote:
We are what we repeatedly do. Excellence, then, is not an act, but a habit. ” — Aristotle.
What is/are your greatest extravagance/s?
Chocolate. Daily. Plants. They currently bring me much joy. I want to live in a jungle.
Which words or phrases do you most overuse?
Actually. Haha. Both of those actually.
When and where are/where you happiest?
Lying on the warm rocks after an icy sea swim with a certain sea lion.
What is your most treasured possession?
A two-headed African fetish that I got somewhere on the equator while traveling overland 20 years ago.
What does your (physical) creative space look like?
I create wherever I am. This has included my bed, a garden, a waiting room, a queue, a car, a beach, a plane (before the blade got confiscated), and sometimes my studio in Woodstock. I always have a pair of scissors and a scalpel in my handbag.
When creating what is your biggest frustration
Some works feel resolved quite soon but then I choose to continue to work on them until I feel it’s time to stop. But this is not always the case. When I’m interrupted and I have to stop working on something while it still seems unresolved I feel uneasy until I’m able to get back to it. This also applies to life in general I guess.
When you’re in your ultimate creative space what word would you use to describe the process?
Chance / stream-of-consciousness
Name a quirk that others may not know about you?
I make dolphin noises when I’m in a good mood.
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Interviews & Conversations Projects

An Interview: Breastfeeding101 – A portrayal of the pleasures & pains of breastfeeding

This is Adelaide

South African, age 28
Location: De Waterkant, overlooking the city, Cape Town, South Africa
Feeding her eight-month-old child
Photographed January 2018

At first I wasn’t comfortable breastfeeding in public. Another mom told me, “My friend, you know, I breastfeed in church without fear, and no one judges me!” Her church didn’t have breastfeeding rooms for moms, so she did it in the chapel while the service was on. She really inspired me. That was a mom who was bold. From that day on, I took a decision. I’m now more comfortable than ever, and when I meet other moms I tell them breast milk is the best gift I have ever given to my daughter.

I have been asked nicely if I need something to “cover up” when I breastfeed. I decline politely. That is always an opportunity for me to explain my decision not to cover up. As an adult, you won’t try eating while you are covered. It’s uncomfortable, so why should I put my baby through that? She must also enjoy the ambiance while eating, like you. As an adult you will not eat in a toilet, so why do you expect me to feed my child in a toilet? To top it all, my daughter is at that stage where she does “gymnastics” while feeding. I don’t want to restrict her. She is having fun, covering up will spoil that for her. I say to other mothers, “If the baby is hungry, feed her no matter where you are.” Of course I do get stares here and there, but what’s more important than ensuring that my baby is fed and happy?

I work for the navy and I’m so lucky to be in an environment where they completely support my breastfeeding journey. They accommodate me in every way possible. I leave home at 05h30 for work. I usually arrive at work by 07h10, go to my office and express until 07h30. My next expressing session is 10h00 to10h30. Lunchtime is from 12h30 to 13h30. My last session will be at 15h30 just before I knock off, depending on my workload, and I get home by 18h00. It’s difficult to express when I get home as she wants to feed, so the driveway is the safest place for me. I express in my car before I go in to feed her.

At one point I was doing an extra course with weekly exams and had to fit in study hours too – at the same time, my daughter wanted to feed the whole night! I was tired, emotionally and physically. I woke up one morning crying because I couldn’t take it anymore and I wanted to stop breastfeeding. I swear I was about to lose my mind. I went online, did a little reading and realised I’m not the only one going through this. I requested a day’s leave so I could rest. I read more. I decided to continue with the journey.

We should not judge those who do not breastfeed. We don’t know half of their story. We shouldn’t feel that they are any less moms.

A lot of mothers are not well informed about the benefits of breastfeeding and some health workers do not promote it. The advice some get from their paediatrician is rather shocking. I might be stoned for saying this, but the breastfeeding group on Facebook is more informative than any advice given at the hospital.

In 2019 I published my first book, Breastfeeding 101, which features candid portraits of 101 breastfeeding women as well their honest stories. In this blog post you see one of the mothers represented with her story from the book.

The idea for this book was unexpectedly sparked three years ago when I started seeing a lot of controversial social media content about breasts, nipples and breastfeeding.


Looking forward I hope my book can help normalise what is already a women’s most natural act. I would love to see the breastfeeding percentage rate in South Africa double. It came as a surprise to learn that, according to the 2018 statistics of the World Health Organisation (WHO), our country has one of the lowest breastfeeding rates in the world.

Breastfeeding 101 features mothers from South Africa as well as around the globe and serves as a first-hand body of information – an unintentional handbook – directly from the women it captures.

Breastfeeding 101 is a book that wasn’t intended as a manual but may serve as one.

Basic info about the book:

Title: Breastfeeding 101
Publisher: Self-published via Staging Post
Format: Hardcover, 22 x 27cm, 224 pages
Available for purchase via Exclusive Books, The Book Lounge and directly from myself.