I think I came across these images while I was doing research in the Michaelis/UCT library during my graduate year in 2005. I photocopied them and stuck them into my visual diary of the time, here they appear re-photographed from my diary as well as a few more lower down which I grabbed from google image search.
I can’t exactly put my finger on what it is about them which draws me so much,- maybe its the graininess of both the film and those first moments of the day? I wonder also how she approached her subjects- did she ask them to stay as they were when they had awoken? Did she style them or ask her subjects to just be naturally reactive to the concept and moment?
Editorial reviews I found and liked about the book:
“Imagine being let into the bedrooms and bathrooms of 96 of the world’s most beautiful actresses and models to photograph them while they’re still sleepily themselves, without makeup, defenses or clothes. These heavenly creatures loll in expensive sheets, smoke, drink coffee, play with their dogs and children and let it all hang out.” – Paper
“Intimate, messy, revealing – photos of fabulous females in their precaffeinated state.” – Elle
There is a strange parallel I find between the intimacy of the captured scenes and the element of the staged (who wants to look unattractive in a portrait sitting after all? Did they adjust their hair? The light? The room? Makeup?)